Alma Tadema
Alma Tadema's Oil Paintings
Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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william r clark
tysken gerhard rohlfs bjorde omfattande resor i de inre och ostra dalarna av sahara pa 1860 och 1870 talen

ID: 59303

william r clark tysken gerhard rohlfs bjorde omfattande resor i de inre och ostra dalarna av sahara pa 1860 och 1870 talen
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william r clark tysken gerhard rohlfs bjorde omfattande resor i de inre och ostra dalarna av sahara pa 1860 och 1870 talen


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william r clark

1829-1912  Related Paintings of william r clark :. | stanleys stora och valbevapnade expedition marscherar forbi rader rader av fientliga afrikaner | robert ohara burke och william wills gjorde den forsta farden fran soder till notr tvars over austealien 1860 and 61.bada dog emellertid av svalt vid | livingstone betraktade sig sjalv som i forsta hand missionar,men han var anda en av de storsta forskningsranena i afrika | charles sturt den australiska utorskningens fader upptackte darlingfloden 1828 och foljde den nedstroms till dess sammanflode med murtay floden. | sir aurel stin agnade en stor del av sitt liv at att utforska gamla stader som var begravda under okensanden i centralasien |
Related Artists:
Paggi, Giovanni Battista
Italian Baroque Era Painter, 1554-1627 .Italian painter and theorist. As the son of a newly inscribed nobleman, he received a Renaissance gentleman's education, but as an artist he was it seems self-taught, despite the encouragement of Luca Cambiaso. The gentleman who then set up as a painter was obliged to give his work to patrons, sometimes expecting future remuneration; but when one patron reneged on payment in 1581, Paggi mortally wounded him and was banished from Genoa. He was given protection by Francesco I de' Medici, Grand Duke of Tuscany, and settled in Florence. A fresco of St Catherine Converting Two Criminals (1582), painted for Niccol? Gaddi's family chapel at S Maria Novella and thoroughly Florentine in manner, established Paggi's reputation at the Medici court. He painted ephemeral decorations, portraits (all untraced) and altarpieces for many Florentine churches and for the cathedrals of San Gimignano (c. 1590), Pistoia (1591-3) and Lucca (1597-8),
John Robert Cozens
British 1752-1797 ). Painter, draughtsman and printmaker, son of (1) Alexander Cozens. He was taught by his father, and an album by John Robert (Aberystwyth, N. Lib. Wales) indicates that he also learnt to sketch landscape directly from nature. The album contains drawings that record sketching tours to Nacton, near Ipswich, Suffolk (Aug 1768); day trips to the outskirts of London: Greenwich and Blackheath (1768, 1771), Epsom (1768) and Hampstead (1770-71); and a trip to Matlock, Derbys (June 1772). The earliest of these sketches are careful pencil drawings, some later reworked in pen, ink and wash, and there is at least one attempt at added colour. Later drawings are freer, either noting an idea for a composition or recording light and shade with rapid washes of ink over pencil. His father worked mainly in monochrome brown or grey washes, and John Robert earliest exhibits (he exhibited at the Society of Artists every year from 1767 to 1771) were also in this medium.
Frans Francken II
Flemish Baroque Era Painter, 1581-1642 was a Flemish Baroque painter and the best-known member of the large Francken family of artists. Many of his works are small historical, allegorical and biblical cabinet paintings with the focus on figures. He also invented or popularized several new themes that became popular in Flemish painting, such as genre scenes populated by monkeys (later imitated by David Teniers the Younger) and Kunstkamer paintings displaying a wealth of natural and artistic treasures against a neutral wall. Francken frequently collaborated with other artists, adding figures to works by Tobias Verhaecht and Abraham Govaerts.






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